Veteran actress Maggie Smith is The Lady in the Van, which is a film that is noted to be a “mostly true story” in the opening credits. The playwright Alan Bennett (The History Boys)
wrote this screenplay about the odd woman who parked her van in his
driveway. He expected her residence to be only for about three
months, and instead, she ended up staying there for 15 years. The film
is rated PG-13 for a brief unsettling image.
The homeless Miss Mary Shepherd, (or is it
Margaret? the neighbors ask as they soon discover that she has many
secrets) is a cantankerous eccentric who stretches the good people of
Camden to the ends of their compassion. (The film was shot at the same
house on the same street where the real events took place.)
The screenplay took plenty of liberties with the
character of Alan, a somewhat reclusive writer played by Alex Jennings,
who we see as two people, the playwright typing the story out, and the
compassionate man who allows Miss Shepherd to reside in his driveway. He
talks to himself seemingly having no one else close to listen to him.
Bit by bit, Miss Shepherd’s tragic life is
revealed to us, in part explaining how she ended up homeless, living out
of her van. The homeless don’t get that way for no good reason; often
they are plagued by mental illness, and substance abuse. Ms. Shepherd is
no exception in that there are reasons for her present state.
The neighborhood portrayed was a shining example
of how more people should accept and help those in need. This took place
beginning in the 1970’s, and perhaps there was more tolerance in
England then or even today (I can’t speak to England’s moral values),
but in America, the media portray the homeless as if there is something
morally wrong with them, and do not paint them in a sympathetic light
for who they really are. Facebook is filled with tirades against helping
the homeless or those out of work, showing little understanding of the
emotional issues that helped them get that way. Poverty seems to be
interpreted as a moral failing which informs the ignorant statements I see
from time to time. I can only hope that anyone seeing this film will
find their conscience and compassion activated by the story, and be more
tolerant and giving to those in need.
Interestingly, in 1999, Maggie Smith played the
same character in Bennett’s play of the same name on stage. Maggie Smith
was nominated for a Golden Globe award for her performance in this
film. Jim Broadbent has a role in the film as well, a mysterious
character till the end when all is revealed.
If you’re an anglophile,
you will love this film. If you are a fan of Maggie Smith, you will love
this film. And if neither of those applies, you might like it just for
the quiet, compassionate little mystery that it is.
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