In anticipation of the new Blade Runner film, my husband suggested we watch the original released in 1982 prior to seeing the sequel. I thought I had seen this film when it first came out. If I had, I didn’t remember much from it. Blade Runner is rated R for violence.
Rick Deckard (Harrison Ford) is what is known as a blade runner, a hunter and destroyer of replicants, androids with artificial intelligence that look exactly like and usually act like humans. The replicants were used as slave labor on other planets’ outposts, and were banned from coming back to planet earth. If they do, they are terminated.
Rick is coerced into hunting down four replicants, leader Roy Batty (Rutger Hauer), Zhora (Joanna Cassidy), Leon (Brion James), and Pris (Daryl Hannah), who have entered the world in 2019, not so long from now, right? Believe me, the world today doesn’t look like this film depicted, and won’t in just two years. It is strange that writers place future scenarios so close to present day. At least Star Trek set things ways out there in the future which made the scenarios and worlds more plausible.
Earth is a dismal planet as depicted, nowhere I would want to live. Rick is intrigued by the replicant Racheal (Sean Young) who doesn’t seem to know she is one. She was given a memory of childhood, and so remembers things she never experienced. The others he encounters are violent, and dangerous.
The replicants have a life span of four years, and they want their creator, the scientist or developer who made them, to extend their time in the world of the living as long as possible, removing their impending death sentence. Pris is waif-like, but with a mean temper and a fighting spirit who entreats the loner J. F. Sebastian (William Sanderson), one of the genetic designers, to allow her to stay in his strange home filled with creations of his own making, toys that look real and wander about the cavernous rooms he calls home. The replicants seek his help in getting to the scientist who may be able to reverse their ticking time clocks.
I thought the film moved rather slowly, especially at first. An unusual choice was Rick as narrator of his story. It gives a sort of Dragnet feel to the action, or what is sometimes very little action. The soundtrack by Vangelis, a popular musician during the 1980’s, adds distinction to the film. Blade Runner has been touted as sci-fi film noir, and it has that feel, which makes it unique.
The ending was the best part of the film. It had a message to be delivered, and was succinct and poignant. However, I am simply growing tired of films that are so violent, and with apocalyptic story lines. It is boring and tiresome, and I frankly couldn’t wait for this film to be over. Let’s hope that Blade Runner 2049 shows up the original film. I’ll let you know.