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Have you ever wondered why some critics review films? They don't even seem to like movies that much from what they write. I LOVE movies, and think about them long after the last credits roll across the screen. My reviews are meant to inform, entertain and never have a spoiler.
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Showing posts sorted by relevance for query the best democracy money can buy. Sort by date Show all posts
Showing posts sorted by relevance for query the best democracy money can buy. Sort by date Show all posts

Sunday, January 22, 2017

The Best Democracy Money Can Buy

“There are no victimless billionaires.”
The Best Democracy Money Can Buy

Greg Palast is an investigative journalist who has worked for the BBC and The Guardian. The Best Democracy Money Can Buy, is a documentary feature that chronicles his search for the truth about voter suppression in America.

The film begins at a frenetic pace, lots of flashy graphics and cartoons, but if you stick it out, it calms down. They likely put the film together in this way to appeal to the Facebook/Twitter/Instagram addicted people in society, short attention spans and a need for stimulation. Keith Tucker was in charge of animation. He also worked on the Roger Rabbit comic.

Greg Palast looks every bit the newspaperman going after a story, with his fedora and trench coat, crashing elegant parties for the rich, asking the tough questions until overweight white bouncers escort him out. I appreciate a journalist who is willing to put himself on the line for searching out the truth, and then presenting it to the public in a documentary such as this one. Today’s news outlets could use an army of such muckrakers.

I went to see it in the theater with my husband and two friends. It made us sad, and it made one of my friends cry. Palast reveals details about the program called Crosscheck, which was initiated by moneyed white men and carried out by elected white officials. It’s to benefit Republicans who fear they can’t get elected any other way. More depressing than anything I’ve seen lately, it shows how minorities in America were put on lists claiming they voted twice, with the result being their single vote was not even counted.

This is voter fraud in the worst way, and a large part of how Trump got elected. Rich white men who want unlimited wealth see to it that Democrats, those politicians who would actually work to secure the rights of underprivileged poor people, especially African Americans, Hispanics, and Asian Americans, are not voted in. If all the minority votes count, no Republican would ever get in office!

If someone showed me these lists, and said these people voted in two different states, I’d say your sampling techniques and data collection are flawed. People with even a high school education should be able to figure this one out. I’ll leave the details of the scam for you to see for yourself in the movie.

This was a chilling tale and left us feeling helpless and hopeless. But knowledge is power. Even if we don’t know how to combat voter suppression at this time, just knowing more about it is a start. It may also make you angry, but I urge you to find it on Amazon or Vimeo, and educate yourself. Have a viewing party with your friends and talk afterwards about what you can do to make a difference. Ask your representatives to have the Department of Justice open an investigation on the Crosscheck system for starters, and don’t let up.

Saturday, April 07, 2018

G is for The Great McGinty


G is for The Great McGinty, a 1940 black and white film written and directed by Preston Sturges. It is a comedy and a political satire, and won Best Original Screenplay at the Academy Awards. Just 82 minutes long, it is cleverly written, and was Mr. Sturges’ directorial debut.

Dan McGinty (Brian Donlevy) is a man who is down and out, and in the breadlines during the Great Depression, when he is approached with a corrupt proposition. He will be given $2.00 for each time he votes for mayoral candidate Tillinghast in the election. Dan sees this as a sure thing to earn some quick cash, and proceeds to vote in many precincts, each time getting proof of his deception so he can collect. The Boss (Akim Tamiroff), who asked that a man be hired to carry out this voter fraud, is amazed at what Dan has done so successfully, and hires him to shake down business owners for “protection” money.

An idea is hatched: Dan should run for mayor during the next election, and follow The Boss’s bidding. He must first, however, get married as no one wants to vote for a bachelor he is told. Upon mentioning this to his secretary Catherine (Muriel Angelus), she suggests he marry her.

The Great McGinty has elements of slapstick comedy that make the film more entertaining. What could have been a boring movie or even have turned preachy with its political theme instead turns into a pleasant romp. Adding to the intrigue are the secrets that Catherine has kept from Dan until after they are wed, namely that she was once married and has two small children. The ready-made family helps catapult him into the good graces of the public.

The rest of the film is a cross between a romantic comedy and a serious drama where Dan, moving up in the political world, grows a conscience, much to the chagrin of the Boss, who continues to threaten Dan to comply with his orders so he can grow rich off government contracts. Sound familiar?

It should. Only thing different today is that election fraud consists of discrediting voters, not the populace out to vote repeatedly. (See my review of the documentary film, The Best Democracy Money Can Buy.)

Preston Sturges was a well-known screenwriter and director in his time. He came from a wealthy family, and loved writing and storytelling. For early cinema, which I broadly classify as up until 1940, The Great McGinty is a tale of social conscience that should win over the greed of organized crime and dirty politics. But does it? Anything can be bought in the world of greed, corruption and favoritism that is politics. Mr. Sturges wanted to direct the film so badly, he sold the screenplay to Paramount for $10.00 with the understanding that he would direct the film.

In 1944, in The Miracle of Morgan’s Creek, McGinty and The Boss reprise their roles. Sounds like another screwball comedy from esteemed screenwriter Preston Sturges.