Winter on Fire: Ukraine's Fight for Freedom

Freedom and human dignity. That’s what Ukrainians were fighting for in 2013-2014 when their president betrayed them by choosing to align with Russia over the European Union. Winter on Fire:  Ukraine’s Fight for Freedom is a documentary feature that alternates between film footage of the actual protests, and interviews with some of the participants who were there.

The people of Ukraine see themselves as European. When President Yanukovich sided with Russia, students spontaneously gathered in Independence Square in Kiev. When the police, heavily shielded in protective gear, came to disperse the group and began beating them with iron sticks, other citizens joined in. They were outraged that the government would harm their children, so people from all over Ukraine, many religions, many languages, many ages, came to support them.

This reminded me of Vietnam War protests in the 1960’s. It was chilling. Months and months passed with no movement by the government to give the Ukrainian people what was requested. Former military leaders helped the protestors organize and protect themselves, building barricades and providing support. Those who had cars formed a circle around the protestors camping out, and were an integral part of the protest.

The protestors were non-violent, and it was only when the police started shooting them with rubber bullets and then mixed live ammunition in, that the violence really escalated. I found myself thinking, this is real life, these are real people being injured and killed, standing up for their beliefs and against a dictator who lied to them again and again. This is not fiction, like some other violence addled fictional movies out there. If people want to watch violence, at least watch the real thing, people putting themselves on the line every day, not some stupid action movie with super heroes. All the people who protested are heroes; average young men and women, mothers and fathers, religious leaders, who all set aside their lives for this cause.

I highly recommend this film. It is a reminder that every nation is built on individuals who speak up for what is right, and put their lives on the line until justice prevails.

As I sat and watched the days tick by for the Ukrainian citizens in this struggle, I thought about what I was doing on that particular day; how could I have not known about this fight? We are so consumed with our day-to-day lives, we forget that this planet is filled with individual souls also dealing with their own personal struggles in the world. Everywhere there are real life dramas being played out. For the Ukrainians, some of their hopes were fulfilled, for others, the struggle continues.

I don’t pretend to know much about the politics of that region, but I can sympathize with the protestors. I think you will find this a moving documentary film. It was nominated for Best Documentary Feature at this year’s Academy Awards, but the documentary film Amy won that honor instead. Stay tuned for a review of that documentary as well.

Leap Year

With 2016 being a leap year, I decided to watch the romantic comedy Leap Year, partially for the plot, and partially because it stars actress Amy Adams. I have been a fan of hers since her performance in Catch Me If You Can, and decided if she was in the movie, it was worth a go. My other favorite films of hers are American Hustle, Julie and Julia, Sunshine Cleaning and Enchanted. Leap Year is rated PG for sensuality and language, and now ranks up there as another of my favorite Amy Adams movies.

Anna Brady (Amy Adams) stages homes for real estate agents. She is meticulous, cultured, sophisticated, everything her boyfriend Jeremy (Adam Scott), who is an up and coming cardiologist, would want in the woman in his life. Except for he hasn’t yet proposed and it’s been going on four years.

With a tale by her father (John Lithgow) inspiring her, she travels to Ireland to propose marriage to Jeremy on February 29^th, leap day, a time when women can successfully propose marriage to the lucky man of their choice.

Every travel delay imaginable happens to poor Anna, and she ends up having to make a cross-country trip through Ireland in order to arrive in Dublin in time to propose to Jeremy on the 29^th. She meets up with an innkeeper, Declan (Matthew Goode), and he agrees to get her to Dublin. A series of further misadventures occurs, mostly due to Anna being a total klutz. The two grate on each other because of their annoying idiosyncrasies, even while they attempt to ignore a growing attraction between them.

At one point, the two of them crash a wedding. My favorite quote from the film is spoken by the bride to her groom:  “May you never steal, lie, or cheat, but if you must steal, then steal away my sorrows, and if you must lie, lie with me all the nights of my life, and if you must cheat, then please cheat death because I couldn’t live a day without you.” It is moments like this that make the movie sing.

I know there were negative reviews about this film, and when my sister and I first began watching it, I had my doubts. If I can predict what’s going to happen next, that’s not a good sign for the movie. But that ability soon disappeared, and it turned out to be a sweet love story about how you sometimes find your way to your one true love when you’re not really looking for it. We both really liked it.

An added plus to the film was that the landscape the two travel through is simply breathtaking. They traverse the gorgeous countryside of Ireland, sometimes barren, mountainous, or filled with rushing water. In each case, it may make you want to have your plane diverted in order to travel by train or car across the Irish countryside.

Rent Leap Year if you're searching for a romantic comedy to enjoy.

What Happened, Miss Simone?

I have long been a fan of singer Nina Simone. Her distinctive voice and the way she sings the blues are a favorite of mine. In fact, one of my stations on Pandora Internet Radio is “Nina Simone.” If you are not familiar with her, she is an African-American singer, pianist, and civil rights activist, a legend of her time (she is now deceased).

But I didn’t really know that much about her as a person, other than that she was born in the United States, and had moved to France at some point in her life. That’s about it.

So it was with interest I watched What Happened, Miss Simone? on streaming Netflix. The film has been nominated for Best Documentary Feature at this year’s Academy Awards. It is not rated.

The film by Liz Garbus paints a portrait of Nina over the course of her life from being a gifted child on the piano, to her adulthood as a troubled woman trying to find her way. The turbulent sixties were a prominent time for her, and is a time I remember well having lived through them during my formative years as a pre-teen and teen, observing the civil rights movement and Vietnam from the comfort and safety of my home in the country with my family. At that time, Nina was an activist in her 30’s, daring to write songs that highlighted the struggle for equal rights in America. She moved among circles of people who were high profile in those years, and I was amazed at whom she knew, as well as about her radical nature concerning civil rights. She was a woman with a voice, and I don’t mean just in music.

Featuring archival footage from Nina’s public appearances, interviews with her daughter and her ex-husband, as well as musician friends she worked with, it is an honest and open glimpse into her life. It didn’t disappoint in the area of her music either, allowing us to hear several of her songs from start to finish.

If you don’t normally watch documentaries, I encourage you to do so. They can be entertaining, illuminating as to the history of a region or a person, as well as thought provoking. Documentaries probably don’t cover the things you’d learn in school. They are a way to continue your education about life on earth, how people think, what impact culture has on someone, learn about history not covered on the evening news, or in the newspapers. In the process, what you see may impart an understanding about others, developing a sense of empathy for humanity, animals, and nature, whatever it is you’re learning about.

This documentary allowed us to see Nina’s life unfold as it did for her, and as she struggled to find purpose and meaning and answers to her life’s experiences. As she discovered life, so do we. I highly recommend you watch it. It illuminates not just her life, but also America and all its troubles with race and inequality.

Spotlight

I’ve found my favorite film of the Academy Award season. Spotlight is based on the true story of how a team of investigative journalists at the Boston Globe brought to light the cover-up by the Catholic Archdiocese of decades of pedophilia perpetrated by priests. It is a film that will move you, perhaps to tears. It will draw you along with the Spotlight team as they discover the truth of the injustice done to the victims, all within the shortest couple of hours I’ve spent in a movie theater in recent weeks.

The film boasts an all-star cast including Michael Keaton, Liev Schreiber, Stanley Tucci, Billy Crudup, and the Best Supporting Actor and Actress noms, Mark Ruffalo and Rachel McAdams. Also nominated were director Tom McCarthy, the film itself for Best Picture, and for Film Editing.

This drama (biography/history) is rated R for some language, including sexual references.

I remember hearing about priests molesting young boys sometime during the 1970’s. I wasn’t much out of high school, and not being raised Catholic, didn’t know what to think about that disclosure. But as I recall, the person sharing this information made a joke of it, laughed it off, happy it hadn’t happened to him (or had it?).

“If it takes a village to raise a child, it takes a village to abuse them,” is a quote from the film. Personal responsibility is brought into question for all who knew about the abuse and did not loudly protest what was happening. Instead it was ignored, and at its worst, involved attorneys taking money to pay off the families and victims. Where was their personal responsibility? It is time we all vow to break the silence where any abuse is concerned.

This is a film I’d recommend be first on your list to jog out and see while still in the theaters, prior to the Oscars. There are scenes where victims tell their stories to the journalists, both moving and revealing. It didn’t make me uncomfortable to hear since I have a background in counseling and therapy. These types of disclosures don’t set me off into a bout of PTSD, although I still empathize. There appeared to be some people in the theater having a hard time with it because I heard talking and someone asking them if they just wanted to leave. I can’t stand people talking during the movie so that was distracting and rude. But I could sympathize if that’s what was going on with them.

I have a couple more films to see this year that were nominated, but as of this point, I doubt that anything else will live up to Spotlight. In my opinion, a movie that wins Best Picture should be the greatest film of the year for future generations of movie watchers to seek out. It should be of the highest caliber, with an inspirational message, and I can’t imagine some violence filled picture fitting that standard at all.

This is the one.

Star Wars Episode VII: The Force Awakens

Star Wars. It’s a film experience that started for me in 1977. I have seen every installment in the theater, all six of them (see my review of Star Wars Episode III:  Revenge of the Sith on this blog). It had me hooked. So it is no surprise I went to see Star Wars Episode VII: The Force Awakens.

A coworker of mine who took annual leave on the day of the premiere said I would love this movie. I would meet old friends, be introduced to new friends, and that it was everything she’d hoped for and more.

With that recommendation, and her constant pestering me about why I hadn’t seen it yet, I finally went with my husband to a matinee after the crowds had thinned somewhat. The film is rated PG-13 for sci-fi action violence.

Sitting through all of the previews before the movie, I was getting kind of down. There were several previews clearly intended for teenage boys, who are the vast majority of the theater going public. This is something studios know, thus the constant action films, superhero movies, and violence spewing trash I was getting glimpses of. I said to myself, please don’t let Star Wars be like these awful films. Please. Give me the old Star Wars with good character development, characters we can root for, and a story where the Force is central.

It was good, much to my relief. I can’t say too much here, but the media has broadcasted it around so much that I knew we’d see our old friends in the characters of Han Solo, Chewbacca, Princess Leia and Luke Skywalker.

We are introduced to new characters:  Kylo Ren, of the dark side (Adam Driver), Rey, an independent and resourceful young woman (Daisy Ridley), Finn, a stormtrooper who has deserted his post (John Boyega), and Poe Dameron, daring pilot (Oscar Isaac). One thing I really enjoyed was that the main characters are shown struggling between the pull towards evil and the centering of the Force. It makes for some suspenseful moments.

My husband said that seeing the film served to remind him of just how special the earth we live on is with all of its stunning nature, and amazing animals. We stayed for all of the credits to see where this Star Wars was filmed; it featured the stark landscapes of Abu Dhabi, Iceland, and Ireland. All of earth is thankfully not like those landscapes. He said that science fiction films always seem to depict devastated, unwelcoming planets, and that part of the film is disappointing. The violence is overwhelming, and the pace caters to a world of people who seek constant stimulation, rapid sound bites, twittering, and I phone-using fools who can’t look up and around them to see the beauty that is the earth.

That said, if you haven’t seen Star Wars yet, what are you waiting for? I’m looking forward to the next installment and hope it has more Yoda and fewer machine guns.

Brooklyn

My maternal grandparents immigrated to America in the late 1800’s from Denmark and Norway. My interest in Brooklyn stemmed from having such close relatives make that trip across the Atlantic with the hope of an opportunity for a better life.

Brooklyn tells the tale of Eilis, a young Irish immigrant (Saoirse Ronan in an Academy Award nominated performance) coming to America fully a half century later than my ancestors immigrated, but I figured some of the same issues they faced would be depicted.

Brooklyn has also been nominated for Best Picture and Adapted Screenplay at this year’s Academy Awards. It is rated PG-13 for a scene of sexuality and brief strong language.

It wasn’t until after I had seen the film and began to do research for my review that I found I had seen Saoirse Ronan in three other films:  The Grand Budapest Hotel, The Host (previously reviewed on my blog; search for it by entering the name of the movie in the search engine above on this page), and The Way Back. I enjoyed her characters in all of those other films, and since I never connected any of these four performances to the same woman, I would say she is adept at taking on different characters without being recognizable as herself. Of course, that may change as her list of movies grows and then she may become as easily recognizable as other accomplished actresses.

Back to Brooklyn. Another quiet film, set in the 1950’s where one’s personal conduct is always proper, especially for young ladies.  Father Flood (Jim Broadbent) is a kindly priest who helps Eilis adjust to life in America. She meets Tony Fiorello (Emory Cohen) of Italian descent, and begins to blossom and not be as homesick as their friendship and love develops. This relationship seemed very natural as that’s what happened here; the children of immigrants from different countries meet and fall in love and we get the melting pot we are today in America.

Eilis needs to return to Ireland suddenly, and finds that things have changed. Or is it that she has changed? Once in Ireland, Eilis begins to realize who she is:  a good worker, educated in her trade as a bookkeeper, and a confident and ultimately loyal young woman. The suspense grows as we wonder along with Eilis about returning to America versus remaining in Ireland.

Seeing the city of Brooklyn portrayed from a 1950’s point of view made the movie charming and interesting, particularly the scenes in the department store where Eilis has her first job.  I recommend this film. It’s visually appealing, and a good story from a woman’s point of view, something we don’t get that often in films. Take your daughters or your mothers with you for an afternoon matinee and then go have a nice leisurely dinner to talk about it.

Let me know what you think of the films you see and about my reviews. You can leave your comments below. Happy movie going!

Joy

Joy. The name of a woman I had never heard of, and upon watching her story, will never forget. This film by David O. Russell is based on the story of Joy Mangano, doyenne of QVC. I was hoping the film would be joyful, and was pleased that it had a happy ending. It moved slowly at first, very slowly, and is told partially from the perspective of Mimi, Joy’s devoted maternal grandmother (Diane Ladd). The film is rated PG-13 for brief strong language.

Starring Jennifer Lawrence, Robert de Niro, Isabella Rossellini, and Bradley Cooper, the film held a promise of greatness. I would call it a quiet film, however, with subtle performances, especially from Jennifer Lawrence who plays Joy, and Bradley Cooper as Neil Walker. Even dialogue is delivered in whispers at times, and it serves up the message of a woman who would not give up.

Having just seen this the day after The Big Short, a film that just left me angry (see previous review), I was once again inspired. Good things do happen to people providing they don’t give up, don’t allow themselves to be walked on, and believe in themselves.

It helps to be smart, finish high school, and be determined. How many women who could go on to college don’t, because they fall for a singing, dancing lothario who sweeps them off their feet, and before they know it, they have kids and a nowhere life. Joy didn’t let that stop her. Her role models weren’t very positive, like her mother who has given up and does nothing all day long but watch soap operas.

For all of you complainers out there saying, “If only I had (fill in the blank), then things would be different.” Don’t wait for a role model, be your own role model. Seek out those who can help you fulfill that dream you’ve buried deep within thinking you can’t have it now that you’re a mom, caretaker, breadwinner, you name it.

I saw Jennifer Lawrence in her two other Golden Globe winning roles with David O. Russell, Silver Linings Playbook (for which she also won the Academy Award) and American Hustle. But I was her fan beginning with Winter’s Bone, where she played a strong teenager caring for her two younger siblings, taking on that responsibility from her absent parents. She displayed a quiet intensity for that role, as she does for this Academy Award nominated performance. In this film as Joy, she is so consistent in playing the character, that we see glimmers of who she will become, we watch the integrity with which she approaches her life, all leading us on to the older, wiser Joy.

But she was wise all along. Go see this film (and be patient; remember I said it is slow in the beginning), especially if you are a woman who has a dream longing to burst out. Joy may be just the inspiration you need to push you to take that first step.

The Big Short

The Big Short was a film I was hoping would be understandable and entertaining, despite its subject: the housing crisis and fraud that transpired over the last years of the decade ending in 2010. It has been nominated for several Academy Awards including Best Picture, Best Supporting Actor (Christian Bale), Best Director for Adam McKay, as well as Best Adapted Screenplay from the book by Michael Lewis (who also wrote the screenplay for Moneyball), and for Film Editing. It is rated R for pervasive language and some sexuality/nudity. All the nominations are well deserved.

I admit that even as early as high school, when one of my classes touched on the subject of the stock market, it confused me. I have since come to understand it a little better, but wouldn’t feel comfortable explaining it to anyone else. I saw the films Margin Call and Moneyball, and enjoyed both. The way these stories were developed made difficult mathematical subjects easier to understand. So it is for The Big Short.

The truth is, you don’t have to understand the financial crisis completely to get that the average American was screwed over in a big way in those years. This film has a stellar cast including Ryan Gosling, Christian Bale, Steve Carrell and Brad Pitt, who was also a producer. Lesser roles went to Marisa Tomei, and Melissa Leo. The film cleverly tried to make clear the situations that transpired and what the big short was. Basically, a few investors realized the housing bubble would burst and placed bets with the big banks that it would. If they were right, they stood to make a great deal of money. Essentially they were betting that the American economy would fail due to the practices of the big banks on the housing markets.

The film is based on the true stories of these investors. The market is explained in the film in ways even I could follow, via what looks like a Jenga game (pull one block at the base and it all comes tumbling down), and a cameo by Selena Gomez in Las Vegas. She places a bet, then someone behind her places a bet on her winning, then someone behind them places a bet on him winning when she wins, etc. It all falls apart when Selena doesn’t win, as it did for the housing market. The going to Las Vegas and explaining it at the gaming tables is an apt way to show that it’s all a game to the big banks and investors, a game where the public always loses.

We know that despite the fraud perpetrated by the big banks, it was the American people, who stay poor while the wealth of the few skyrockets, bailed them all out, while losing their homes, their jobs, and their hope.

This is a film everyone should see. It’s entertaining, illuminating, and will inform you of an issue that should influence the way you vote in upcoming elections. Enough is enough.

Beasts of No Nation

Beasts of No Nation is a film about the experiences of Agu, a young West African boy recruited into a rebel militia after his family is murdered or disappears. The name of the country is never disclosed, thus the name of the film. The actor Idris Elba, portraying the commandant, was nominated for a Best Supporting Actor award at this year’s Golden Globes. I watched the film streaming on Netflix, so it is easy to find right now. This drama is not rated, although I would suspect it would be an R rating if it was, due to the violence.

Some may ask why I’d watch a movie sure to be violent and depressing. This is Africa, a place on the planet I have never visited.  Africa is the Dark Continent, not called that due to the color of its people’s skin, but because it is a hard continent to live on; disease, extreme conditions, and dangers abound whether in the desert, jungle or oceanside. I like to be reminded that there are other people on the planet living very different lives from that of privileged Americans. It could be another planet for all we are aware of what goes on there.

The town portrayed is in a jungle, resources are unequally distributed, poverty is endemic, and yet the people have families, love fiercely, and just want to be able to enjoy their lives like we all do. Care for their babies, get the pretty girl in school to fall in love with you, learn and grow, and most importantly, enjoy life on planet earth.

But when there is civil unrest, and warring parties with machine guns try to get their way through force, all those desires and needs are left unfulfilled.

It was a captivating tale, and yes, there was violence. The part of me interested in human behavior found it fascinating how the young scared recruits become hardened soldiers, capable of committing heinous crimes against their fellow humans. Brainwashing at its most effective, preying on the vulnerability of the young.

I was spellbound throughout the whole film, which led to a surprising ending. I got to thinking about where the weapons come from. Where are the factories for the production of guns and ammunition, and who by working there contributes to the deaths of fellow human beings and the destruction of earth? With gun issues at a breaking point in America, what about broadening the discussion to the armed nature of this entire planet?

Every spirit that comes to earth wants the same things, to experience this world, and to be safe and loved. Breaking the cycle of the willingness to use violence as a means to settle disputes is a concept whose time has come and is long overdue. Violence is not a solution to a multi-faceted problem that encompasses lack of education for women leading to a higher birth rate, subsequent poverty, and despair. War does not bring peace for the children forced to fight or for the nations involved.

Jingle All The Way

Jingle All The Way is a 1996, comedy/family film, rated PG for action violence, mild language and some thematic elements.

The movie stars Arnold Schwarzenegger, Rita Wilson, and Sinbad, with cameos by Robert Conrad, Phil Hartman, Martin Mull, James Belushi, and Harvey Korman and Laraine Newman. (See if you can spot them as you watch.)

I admit that I enjoyed watching Arnold’s movies back in the day. There is something really funny about a big body builder playing comedic roles, like in Twins, and Kindergarten Cop (I liked the sci-fi films he did too, particularly The Terminator films), and then there’s True Lies. I didn’t doubt that Jingle All The Way would be a funny film I’d like.

Howard Langston (Arnold Schwarzenegger) is a successful, driven businessman, overworking to the point that he neglects his son Jamie, and is seldom there for his wife Liz (Rita Wilson). All comes to a head when he realizes he did not get the one thing in the entire world his son wants for Christmas, a Turbo Man action figure.

With mere hours to spare, he sets out to find this elusive action figure doll that has sold out in every store. He meets another late shopper, postal worker Myron Larabee (Sinbad), and they proceed to travel their way around the city in search of Turbo Man.

Meanwhile, Ted (Phil Hartman), a divorced single father, is putting the moves on Liz, eating Howard’s cookies, and ingratiating himself with his neighbors by somehow getting a real live reindeer for his yard.

It is a fight to the end as to who will nab the last of the Turbo Man action figures. Lots of slapstick comedy ensues, and Howard gets to come to the rescue as he stumbles upon the Wintertainment parade float featuring Turbo Man. Here Arnold gets to do a turn in a bigger than life role reminiscent of other action heroes he has portrayed, redeeming himself with his son and wife in the process.

I liked the film, it was funny and made me laugh, sometimes just at Arnold delivering his lines in his famous Austrian accent. It was fun seeing all the actors from 20 years ago, and how the world has changed (no cell phones around; Howard has to use a pay phone). In a world where commercialism runs rampart around Christmas time and in fact begins much earlier, pre-Thanksgiving and then with Black Friday, these scenes of mad, desperate shoppers should not be foreign to anyone tuning in. There is a poignant sadness to the distance between father and son and husband and wife brought on by materialism and a disregard for the important (do not allow the urgent to displace the important).

The soundtrack features plenty of familiar Christmas songs you’ll like. If you let the credits roll while you’re cleaning up the popcorn you spilled, you will see a final scene with Howard and Liz at the Christmas tree. A priceless moment after all Howard has been through.