N is for No Country for Old
Men, winner of Best Adapted Screenplay at the Academy Awards for Joel and
Ethan Coen. The screenplay was based on a book by Cormac McCarthy. The film is
rated R for strong graphic violence and some language.
The year is 1980. Llewelyn Moss (Josh
Brolin) is hunting antelope one day in the deserts of Texas when he happens
upon a drug deal gone bad. Several bodies lay about on the ground, and the
drugs are still on the flatbed of a truck underneath a tarp. Llewelyn is a good
tracker having served in Vietnam. He follows the trail of a lone man who had
fled the scene. He finds the now deceased man in the shade of a tree, and discovers
a briefcase loaded with stacks of hundred dollar bills. Llewelyn absconds with
the briefcase and the small fortune that turns out to be about two million
dollars.
Thus begins a nightmarish ordeal
for Llewelyn when Anton Chigurh (Javier Bardem), a ruthless criminal who wants
that money back, stalks him. The good sheriff Tom Bell (Tommy Lee Jones)
becomes aware of what is happening, as does Carson Wells (Woody Harrelson),
hired by the investor who is upset about the loss of the briefcase of money.
With three people in pursuit of him, Llewelyn has to outsmart all of them. Or
will he?
No Country for Old Men was primarily filmed on location in New
Mexico, with some filming completed in West Texas. The dry sandy desert blows
dust into every corner, and into the souls of those who inhabit this tale of
greed and murder. It’s a bloody film, one where the Coen brothers seem to again
be asking, “Why would you do this for money?” (Recall my review for F this month with Fargo.)
No Country for Old Men won three additional Academy Awards, including
Best Picture, Best Supporting Actor for Javier Bardem, and Best Director for
the Coen brothers.
Watching Llewelyn calmly plan how
to keep the money for himself and methodically carry out his strategy for
survival is really fascinating, as is Anton’s chilling persona as a man who
likes to play a game of chance with his victims before offing them. The Coen
brothers have set just the right pace for the men’s journeys that will eventually
collide. We are with Llewelyn as he problem solves every step of his path. Josh
Brolin does a really fine acting job with Llewelyn, and Javier Bardem as Anton
is so cold and calculating, we won’t ever forget him as a man who has no heart.
Tommy Lee Jones plays the sheriff
well, the man who has worked for many years in law enforcement, and is growing
a little too old to stomach the blood and crime that seem everywhere within his
jurisdiction. No Country for Old Men
is a well-written and executed film, and you may find it to be a good film to
watch if you can stand the blood.
Hi Sue - I've never seen this ... and believe I must at some stage -I suspect the gore put me off ... but I will see it sometime - cheers Hilary
ReplyDeleteThere is some blood and violence, but the story is a good one.
DeleteThis is an astonishing film. Javier Bardem is terrific - he just keeps on coming..!
ReplyDeleteJavier is a amazing actor. If not for him, I don't know the film would be as good.
DeleteThis is an excellent film with great acting, a great story, great editing and directing. You are right about the desert dust because one almost feels like they can taste it while watching the movie. You really hope Brolin’s character wins....
ReplyDeleteWe are definitely led to be sympathetic to Llewelyn and just want the guy to get a break!
DeleteI saw an edited version of No Country for Old Men and it was still plenty violent, yet fascinating. I am a fan of Javier Bardem.
ReplyDeleteJavier is a great actor and he really made the film be so chilling.
Deletefandango - There is nothing redeeming for any of the characters in this story. I read a review giving this movie a rating of 8.6 and out of 300 words of glowing praise the word "bleak" was the only clue. It was a sorry waste of two hours of my time. My advice for anyone considering an evening out to see this movie is to find out plenty about the story first. The ending is made up of a large collection of loose ends that go nowhere. This movie goes to great lengths to prove it. Great acting but so what? There is a scene (no spoiler) where a bad guy and a good guy are on either side of a door. There is a huge buildup for this scene only to find out that the bad guy wasn't really there after all. Then there is no explanation for why I am given this visual which is fake. Is this supposed to make me stand in awe of the Coen brothers and their artistic genius? Not happening for me.
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