Win a Date with Tad Hamilton!

(Recommended by Julia)

Robert Luketic, who also directed Legally Blonde, directed Win a Date with Tad Hamilton!. The movie stars Kate Bosworth as Rosalee, Josh Duhamel as Tad, and Topher Grace (That '70s Show; In Good Company) as Pete.

The win a date scheme is meant to boost Tad’s reputation, as he is portrayed by the press as a self-involved movie star. Rosalee wins a date with him and Tad follows her back to West Virginia after their night out in Hollywood. Rosalee is not like the other women he is accustomed to. She is guarding her carnal treasure (Pete’s last words of advice to her before she gets on the plane), something most women Tad meets are not concerned about.

Nathan Lane and Sean Hayes as Tad’s business manager and agent are hilarious together. They are very concerned about Tad’s infatuation with Rosalee and follow him to West Virginia. Pete has been Rosalee’s friend since they were children, but has not gotten up the courage to tell her that he loves her. When Tad shows up, Pete attempts to impress Rosalee with dismal results. Rosalee’s father is really funny as he dives into Hollywood (wearing a Project Greenlight T-shirt, no less), and he is not sympathetic to Pete’s distress, preferring a movie star to be his daughter’s suitor. It’s a romantic comedy, so I won’t give away the ending!

I found the movie funny in places, but definitely more of a film for teenagers and college-age young adults. The film is rated PG-13 for sexual content, some drug references, and language. I don’t think kids under 13 would find it very interesting. Or anyone over 22 for that matter. Kate Bosworth has a grin on her face for most of the movie, something I found really annoying. True, there is a sweet moment when Pete says that Rosalee has six different smiles, but Kate does not give Rosalee six different smiles. The real standouts in terms of acting as I mentioned are Nathan Lane and Sean Hayes. View at your own risk.

Big Fish

(Recommended by Julia)
Big Fish is a Tim Burton movie and is as surreal as the other films he's directed, which include Edward Scissorhands, Sleepy Hollow, Ed Wood and Beetlejuice to name a few I am fond of.

An all-star cast includes Ewan McGregor and Albert Finney portraying the young and old Edward Bloom, Billy Crudup as Edward's son Will, and Jessica Lange, Helena Bonham Carter, Robert Guillaume, Steve Buscemi, and Danny DeVito in supporting roles.

Will has long been embarrassed and frustrated by his father’s tall tales, and doesn’t speak to his father for three years following his marriage and subsequent move to Paris with his new wife. The estrangement ends when Will receives a phone call from his mother to tell him that Edward is dying. Will longs to reconcile with his father and wants to know who he really is. Edward continues to weave elaborate stories of his life, fantastic tales that appear to be lies to Will.

Will however, learns that within every story his father tells, lies an element of the truth of Edward's life. I think that Will is not unlike most young men, and women for that matter, who grow up not really knowing much about their father. This may be changing in our society today, but for fathers who grew up anytime before the 60’s, I’d say they were hard to understand and didn’t reveal much.

One interesting story Edward relates is about his childhood when he went up to a witch’s house on a dare. This witch had one glass eye in which the viewer could see his/her own death. This knowledge of his ultimate passing, or so the storyteller says, helped Edward to act fearlessly when confronted with danger, because he knew he wouldn’t be dying just yet.

Big Fish is rated PG-13 for a fight scene, some images of nudity, and a suggestive reference, but I think this film is just plain weird and would prove difficult for children to understand, although the images would be interesting for them. It is beautifully filmed, with some very special effects, and I’m not talking car chases here. If you like modern art, or other Tim Burton films, you might really enjoy Big Fish,.

Response to question about "The Butterfly Effect"

A reader asked if The Butterfly Effect had a happy ending. In a way, yes. Be forewarned that this is a dark movie about troubling and bad things that happen to people. The ending was satisfying, but I wouldn't exactly call it happy in a traditional sense. It's definitely a drama with few really comedic elements to it. But I found it quite interesting. Hope that helps. I don't like to give away too many details about a film; I'd rather you be surprised!

How to Lose a Guy in 10 Days

(Recommended by Julia)

Kate Hudson and Matthew McConaughey star in this romantic comedy. I couldn’t help but think of Kate’s mother every time she smiled, but Kate is not Goldie, and I also think Kate is a fine actress in her own right. I enjoyed her portrayal of Andie, a writer for a magazine along the lines of Cosmo, who is assigned to write “How To” articles.

After a friend suffers a bad breakup ostensibly due to doing every thing wrong with her man, Andie is assigned the task of writing an article called “How to Lose a Guy in 10 Days,” a sort of cautionary tale to readers about what not to do in a new relationship. Andie’s task is to find a guy, reel him in, and then proceed to do everything wrong so he breaks up with her in less than 10 days.

Ben (Matthew McConaughey) works in an ad agency and desperately wants a choice marketing account selling diamonds. He is put up to a bet that he can get a woman to fall in love with him in 10 days, with the prize being the diamond account. Two scheming co-workers who know about Andie’s quest steer Ben in the direction of Andie, and the comedy takes off.

Andie does such outrageous things to Ben, and yet he doesn’t dump her! Anyone else would. He of course is intent on having Andie fall in love with him to get the diamond account. In the process of their game playing, they do fall in love. When it’s a romantic comedy, we know the ending will be sweet and happy, just not how they will get there.

I recommend this film as it moves along very quickly, and is laugh-out-loud funny. I found myself shaking my head at all the horrible things Andie was doing to Ben, and thought about how if all couples could ignore the weird things their mate does to annoy them, and focus on the things they can do to make themselves worthy of love from the other, there might be many fewer divorces.

How to Lose a Guy in 10 Days is rated PG-13 for some sex-related material.

The Butterfly Effect

(Recommended by Julia)

It has been said that something as small as the flutter of a butterfly’s wing can ultimately cause a typhoon halfway around the world. Chaos theory

This quote attributed to Chaos Theory begins the movie The Butterfly Effect. The film stars Ashton Kutcher as a young man named Evan who is mysteriously afflicted with the same type of mental illness as his father. The illness affects memories and the young Evan has many bad memories to repress, particularly certain things that happened with three playmates from his youth. He begins keeping a journal, and as an adult, discovers he can go back in time to change the events he has experienced.

Evan’s ability to change the past results in a very different present each time he does this sort of time travel. The film is thoughtful, scary, and made me think about the "if onlys" in my life. How many of us have thought “if only”. If only I had chosen that other path, my life would be different today. Evan’s experience reminds me that changing the past could have resulted in a future not nearly as good as the one I’m currently in. It also reminds me that every choice I make, no matter how small it seems, has repercussions in my life and in the lives of those around me.

This film is visually very interesting whenever the time travel occurs, and Ashton Kutcher does a good job acting as the young man tormented by psychological demons. The film is rated R for violence, sexual content, language, and brief drug use. If you liked films such as 12 Monkeys, and Jacob's Ladder, you may enjoy The Butterfly Effect.

Orange County

I have rented five of the movies my 18-year old niece suggested I watch (henceforth to be recognized as "recommended by Julia"), so here is a review of the first one.

Orange County refers to the affluent county on the ocean directly south of Los Angeles, recently made famous by the television series The O.C., which takes place in and around Newport Beach. Orange County is about Shaun, a senior in high school who loves surfing, and yet keeps up with his school studies. He decides he wants to be a writer after finding and reading a book half buried in the sand on the beach.

When the school guidance counselor sends the wrong transcript to Stanford with his application, he is denied admission. Shaun's quest to get into Stanford becomes an obsession, one which involves his older brother Lance, played by Jack Black. Lance spends most of the film in his underwear, has a parole officer, and is stoned most of the time. He also provides for most of the laughter in this film. Shaun's family is dysfunctional and dramatic, with an alcoholic mother (Catherine O'Hara), and estranged father (John Lithgow). Shaun is embarrassed of them, and yet by the end of the film, he realizes that though flawed, they truly support him and his dreams.

Shaun eventually comes to the conclusion that he can achieve his dream of becoming a writer no matter where he attends school, but not until a series of escapades on the Stanford campus lead him to meet the author who has so inspired him.

This film was written by Mike White who also wrote The Good Girl, an excellent movie about a woman (Jennifer Aniston) who feels trapped in her life. I personally liked The Good Girl better. It's more an adult movie, and Orange County with it's PG-13 rating, appeals more to the teenage/college age group.

Which brings me to why this film would appeal to teens. Shaun's finding a book that propels him into a productive future is the sign that teens are also looking for; something that will help them answer the questions: What am I here for? What am I to do with my life? How do I find my way? These questions are answered for Shaun by the end of the movie, and I think teens would find this a hopeful film with lots of comedy and characters that mirror the crazy people we all know in real life.

Hitch

My 18-year-old niece recommended I see this film. In fact she made a list of 14 movies available for rental these days, and I look forward to reporting on all of them.

Will Smith plays Alex Hitchens, "Hitch", a man who makes his living by helping men get a date with the woman of their dreams. His big challenge is to help an accountant played by Kevin James, win the affections of an heiress, sweetly named Allegra.

While involved in this project, Hitch falls for Sarah (Eva Mendes), a woman who has grown to shun relationships. Between these two romances, the fun begins. Hitch and his pupil have great chemistry, and it is believable that the beautiful Allegra would find her accountant charming.

You know how some movies look good in the trailers, but then when you get to the theater, all the funny scenes were in the trailer, and there isn’t anything good left in the film? Well, this does not happen with Hitch. There are laughing out loud scenes, and a good conclusion to the story. As Hitch explains, he just creates an opportunity for the unlikely man to be noticed by the object of his affection, and the rest just happens on its own. If you like romantic comedies, this is a sure winner.

Winged Migration

Whether you’re a bird watcher or not, I predict you will find this film fascinating. Winged Migration follows the annual flight of different flocks of birds migrating to their nesting grounds in the Arctic regions. It took four years to collect the footage of their migration, and our perspective is a birds-eye view, as the film was shot mainly from ultra-light aircraft flying neck and neck with the birds.

I was impressed by the landscapes, which cover every continent. Many species of birds were featured, and I particularly enjoyed seeing a single American bald eagle in its beauty and strength. It is no wonder this majestic bird is sacred to the Native Americans, and that it was chosen as our nation’s symbol.

As these birds flew to the same nesting grounds they have for millions of years, I found myself transported to another place on earth where birds are the dominant life force. We rarely see a human being in this film and I didn’t miss us! The birds have their own rituals, attachments, and struggles for life and death, seemingly separate from humans.

But we know we humans affect the survival of these complex creatures and their unique society, and every oil spill (and there have been many since the Exxon Valdez) threatens the species very existence (this comment is mine; the film has little to no narration and allows the viewer to make their own conclusions from what is witnessed).

I hope you watch this film for the beauty inherent in the bird’s flight, or to learn about another species that I for one, could learn more about. It left me with yet one more reason why the Arctic regions need to remain free of oilrigs and development. I’d love to hear your comments about the film once you see it.

Independence Day

I like to watch certain movies around the holidays we celebrate: Home Alone at Christmas, Planes, Trains and Automobiles at Thanksgiving, Ed Wood for Halloween.

So this July 4th, I decided to watch Independence Day. This film was released in 1996, a time when threats to America were seen as coming from space. The film’s stellar cast portrays the heroes whose collective strengths save the planet’s residents from certain extermination.

Will Smith plays the fighter pilot stationed near Los Angeles, who has a dream of working for NASA.

Bill Pullman is the President, a man with integrity, who doesn’t disappear when the nation is gripped by fear and uncertainty.

Jeff Goldblum has made his character endearing as the computer whiz with a passion for saving the planet, always recycling aluminum cans and commenting on the unwise use of Styrofoam cups.

Randy Quaid is a Vietnam vet now crop dusting in California. He is not ashamed to admit that aliens abducted him a few years ago, and his three children, no mother in sight, love him despite this story that brings ridicule to their family.

The cast of characters around these four are so fully developed, the story is less about battles as it is about seeing how they react in times of stress and danger. Their lives come together to find a solution to successfully vanquish the aliens. The alien species attacking major cities around the globe has been traveling from one Earth-like planet to the next, consuming all their natural resources and moving on.

This film is a drama, an action adventure, and science fiction all rolled into one, with doses of levity and humor to ease the intensity. It is also a patriotic movie. We see the Earth floating like a fragile ornament in our Milky Way in the opening scene, and the planet comes together in a unified effort to save it. This is just the action we need now in order to sustain the Earth and its inhabitants, and not just the human ones. We don’t have the option to go to some other planet like Earth, if one even exists, when we’ve used up all our natural resources.

In 1776 the American colonies formally declared themselves free and independent of Britain. Independent means to not be dependent on or controlled by another person or thing, to not be influenced by others in one’s ideas or conduct, and to be unwilling to be under an obligation to others. On this Independence Day, I’m reflecting on how myself personally, and our nation as a whole, lives up to that definition. Perhaps Independence Day will inspire you to do the same, and you'll have a whole lot of fun in the process.

The Hitchhiker's Guide to the Galaxy

Back in the 1980's, I read a trilogy written by Douglas Adams:
Hitchhiker's Guide to the Galaxy. I remember it as a very funny series of books, right up there with the writings of Tom Robbins and Rob Brezsny.

The Hitchhiker's Guide to the Galaxy is a British film and the distinctive brand of British humor shines. The film begins with dolphins (the most intelligent species on earth) attempting to tell humans that the world is coming to an end. The earth is being demolished in the same way houses are torn down to make way for freeways in the name of progress. The character Arthur Dent is saved by his best friend who turns out to be an alien (played by Mos Def). They hitch a ride on a passing spacecraft, and thus begins the adventure for which the Guide is necessary.

The space creatures are grotesque, but in more of an amusing way than anything scary. The animated Guide illustrates what you need in space (a towel for one thing). The whole film is very funny, and the ending sweet and sentimental. It all works and I don't want to give away what happens. Just believe me when I say rent it; you won't be disappointed if you want a good laugh. I saw it at my local dollar theater, but it will probably be available to rent soon.

"So long, and thanks for all the fish!"

Star Wars Episode III: Revenge of the Sith

Just the other day, right here on earth, I watched the sixth film in the Star Wars saga. Can it really be nearly 30 years ago I was swept into the world of Jedi warriors, Wookies, light sabers, and Darth Vader?

I am now satisfied. I know how Darth Vader came to be who he is. If you haven't seen the other five Star Wars movies, a good way to see them would be to go to Netflix.com, a service over the Internet where you can select DVDs you'd like to see, get them mailed to you, keep them for as long as you'd like, then return them in a postage paid envelope, and the next selection is on its way into your mailbox (thanks for asking about this, Marianne!) All at a reasonable price. No wasting gas driving to the video store yet again.

If you haven't been following the Star Wars tales, this installment is not the place to start. It is darker than all the other films. There are heroes on both sides, and evil is everywhere. Kind of like our world.

We see Anakin succumb to his fears and desire for power. Whereas in the previous films, George Lucas has his characters acquiring wisdom and using it (trust your feelings), this time we see someone utterly fail. It's a cautionary tale about the dark side.

Star Wars Episode III - Revenge of the Sith completed the story for me, and I liked it for that, but on another level, I didn't like it. The film had way too many stark, industrial landscapes, if you can even call it a landscape. The earth that is supposedly sustaining these humans and other creatures is nowhere to be seen. They must eat sometime, but we never see anything growing.

The outrageous creatures have grown tiresome as well. The world Lucas has created here is definitely a male world, none of the fecundity of nature anywhere. I am weary of battle scenes. Men, males of different species, fighting other males: Boring. Chases whether in spacecraft or in cars: boring. At least the light saber fights are more interesting than gunfights, as well as more honorable.

If you have been a faithful fan of Star Wars, you will be glad to see the final installment of the saga, as was I. But now I'm ready to see other genres of movies. I'm hoping we can get back to earth in the movies because there's a lot to be said about life down here.

I welcome comments about this or any film. And may the Force be with you.

The Aviator

Lulu asked about The Aviator. I thought this film should have won for Best Picture at the Academy Awards this year. I think Best Picture should be given to a big, sweeping epic of a film, and The Aviator certainly fits that description. Howard Hughes was a brilliant man and did much to advance the field of aviation. He also had a mental illness. The man struggled with obsessive compulsive disorder in a time when few medications or therapy were availble to him. Leonardo de Caprio delivered a fine performance of a man plagued by both genius and despair.

Mr. Hughes incredible airplane, The Spruce Goose, is now housed in a hangar in Oregon. Someday I will go to see it when I visit friends in Portland, and I've heard it is magnificent. In the meantime, rent The Aviator and enjoy the beautifully made film about the life of an American legend. The film won for best editing at the Academy Awards, and Leonardo won a Golden Globe for his performance.

A Candle for Spirit Bear

Yesterday I attempted to log in to post on my blog and my blog was lost! A couple of friends of mine also couldn't locate my blog. I am grateful it all seems to be working today. I don't think I'd have the time otherwise to figure out how to get it back.

You see I've been working on a 12-minute short screenplay to enter into the Duke City Shootout, a digital film fest happening here in Albuquerque in July. The title of my screenplay is A Candle for Spirit Bear. I am putting the polishing touches on it and once in the mail, will resume posting movie reviews.

Has anyone seen a good movie recently they would like to report on?

A Movie for Every Mood

It is my intention to create A Movie for Every Mood website that will be a permanent place for full-length movie reviews. I would like to hear from my readers as to what categories of movies they would like to see reviewed on my website.

Here are a few of my own to start with:

Movies for when you want to believe in romance again.

Movies for white knuckling, heart-pounding action.

Movies that give you another cultural viewpoint (foreign films).

Movies when you want a good laugh.

Movies for when you want a good cry.

Movies about alternative lifestyles.

Movies to illuminate eras of history.

Movies that have won Academy Awards.

Movies that were nominated and should have won Academy Awards.

Hope that gives you something to get you thinking about what you'd like to see on my website.

As always, click on the comment button, and feel free to leave your message as a fellow blogger, anonymously, or as other.

Ocean's Eleven

Steven Soderbergh, well known for his Academy Award winning directorial work in the film Traffic, as well as in such innovative films as sex, lies and videotape, the George Clooney/Jennifer Lopez sizzler Out of Sight, and the popular Erin Brockovich has decided to apply his skills to a remake of "The Rat Pack’s” Ocean's Eleven. It has been a very long time since I saw the original film, Ocean's 11 that starred Frank Sinatra, Dean Martin, Sammy Davis, Jr. and Peter Lawford, as well as Angie Dickenson in the sole female role, and I looked forward to seeing how a casino heist would fare in the modern day world of computers and elaborate security systems. Soderbergh came through yet again.

With an all-star cast including George Clooney, Brad Pitt, Don Cheadle, and Matt Damon among others, this film is a visual feast. Present day Las Vegas is stunning, Clooney as Johnny Ocean captivating, dressed in an elegant tuxedo it seems for most of the film, and Julia Roberts lives up to the woman Ocean risks it all for in order to win her back from her boyfriend the casino owner, played by Andy Garcia.

There were enough surprises to keep my interest and I did hope these eleven unlikely partners would pull off their elaborate scheme to rob not just one casino, but three in the same night. The actors were very well cast, and the film is funny, suspenseful and simply great entertainment. It was wise that the audience is not let in on all the details of the coming casino heist, so that we could be almost as surprised as Garcia’s character is when he discovers what is happening to him and his money.

Casey Affleck does very well in his role of the young and seemingly not very bright brother of another of the eleven, and their antics together are hilarious. I’d like to see Casey just once do something other than this type of character, and look forward to the day when someone casts him in a role that is a bit more challenging.

Ocean's Eleven is a must see. I'll rent Ocean's Twelve soon and let you know how I liked it.

The Shipping News

The Shipping News is about a family coming to terms with its ancestry and healing from hurts inflicted long ago at the hands of one man, who is both Quoyle’s (Kevin Spacey’s) father and the half-brother of Kevin’s older aunt, played by Judi Dench.

Quoyle is introduced as an oft-abused boy who grows up to work as an ink setter in the newspaper industry. He is a mild man with low self-esteem and low self-confidence, but whom his future mate Petal, played by Cate Blanchett, takes a liking to. The result is their daughter Bunny. After a tragic end for Petal, when Quoyle’s aunt shows up after his father’s death, the three head for their ancestral home in Newfoundland, and enter a new life.

Quoyle only knows the newspaper world, and when he seeks employment at the local newspaper he is assigned a writing job as the editor of the shipping news. His self confidence grows as his self-expression flowers, and the family deals with metaphorical and literal ghosts from their past as Quoyle learns the sordid history of his family from the gossipy mouths of the villagers, and as his aunt is forced to share the family secrets with him.

Quoyle meets a lovely woman with a hidden past of her own, played by Julianne Moore. She is the only actor who seems cast out of place, much too pretty and refined for such a rugged setting. The film is directed by Lasse Hallstrom of The Cider House Rules fame, and under his skillful direction, the film is a healing journey unfolding before our eyes. The house the three move to seems to have a personality of its own, at once sinister and foreboding. The stark landscape and weather of the seaside village penetrates to the bone; it is portrayed as so cold and damp, you can feel it in your seat.

This is a fine film to watch if you want an intelligent study of a family healing from the tragedies of the past and moving onward to a healthier life for themselves. One by one, the doors are opened, viewed, and shut forever by these participants in life, seeking answers to the age old questions of, “Who am I?” and “Where did I come from?” Satisfying from beginning to end, with thankfully, a few moments of humor (the references to seal flipper pie are quite amusing). Because after all, life is not just about work and duty, but also about how we can laugh in spite of what comes our way, often unbidden. This film is a drama, with elements of suspense. I highly recommend it.

The Horse Whisperer

The Horse Whisperer is a movie by Robert Redford. He stars in the movie and his stamp is in every scene. A long movie of 2 hours and 51 minutes, it seems he is deliberately slowing us down, having us move at a quieter pace, a slower pace. From this movie you can tell how much Redford loves the land. He took the time to show the beautiful patchwork fields of the Midwest through aerial shots. He showed the winding curve of roads up mountain passes, and he showed the beautiful mountains of beloved Montana. Small details, such as bales of hay being newly formed, the community farm gatherings for music and dance, were frequent.

Initially, the movie did a good job of establishing a sense of foreboding when Grace, the young girl in the movie, experiences a horrendous accident while riding horses with her best friend on a winter morning. It is truly one of the most horrendous and gut-wrenching accidents I have seen in a film.

Her mother Annie (Kristen Scott-Thomas) is a workaholic and distant from her husband, who clearly loves Annie and his daughter and wants the best for them. Annie is headstrong and won’t take no for an answer. She is very controlling and demanding. When Tom (Robert Redford), who has a knack with problem horses, refuses to visit her to look at Grace’s horse Pilgrim, she takes matters into her own hands and drives across the country with Grace and the horse, in an attempt to heal both of them and herself in the process. They leave the dad behind and arrive at the ranch. Tom is quickly intrigued with Pilgrim and agrees to work with them.

Tom’s virtue is patience. In fact the whole film seems to be an ode to patience. He waits an entire day to have the horse approach him. The horse seems to be suffering from posttraumatic stress from the accident, and Grace is clearly depressed and sad. Grace generally is convincing, although there is one scene with her mother, which is supposed to be a cathartic joining for them, which is not convincing whatsoever. Annie of course falls in love with Tom; Tom falls in love with her. This is also not convincing. Aside from Annie being pretty and perhaps Tom’s willingness to look through the guarded and defensive woman to find her scared little girl inside, I can’t see any other reasons for him to fall in love with her. And Annie, unable to love the man who loves her so deeply, finds escape in infatuation with Tom. Their love is never really consummated except in an exquisite dance floor meeting, done slowly in close up, a dance so filled with sexual tension that I’m surprised Annie’s husband never noticed it passed between them.

The movie is entertaining, not in an action-packed sense, but in the sense that you wonder: How is this horse going to heal? How is Grace going to heal from this tragedy? And more importantly, will anything break through Annie’s tough exterior?

Sleeping with the Enemy

Laura (Julia Roberts) seems to have it all. A darkly handsome husband (Patrick Bergin), a beautiful ocean front home on the beach, leisure time. Her secret is her husband Martin’s ruthless control over her. Laura walks on eggshells around Martin, who says they will be together forever. His domination of her extends even to the compulsive way he expects her to have the household arranged, towels straight, cupboards in order.

Martin loses Laura in a tragic boating accident because she doesn’t swim. But the audience is let in on her “rescue” before Martin even becomes aware of it. A strong heroic woman has been hiding within her, and Laura has been planning her escape for some time. She secretly learned to swim to save herself, both literally and metaphorically.

When Ben (Kevin Anderson), her next-door neighbor in her new life attempts to befriend her, she at first pushes him away. But her capacity to love and be loved wins over and she begins to allow him into her life.

Meanwhile, Martin is able to pull strands of Laura’s life together and believes she is alive. He sets out to hunt her down, the ultimate creepy figure who will stop at nothing to have her. Martin is the type of man who would scream before he kills his woman and then turns the gun on himself, “If I can’t have her, then no one can.”

All three lead characters’ performances are superb. Ben is fun loving, patient and warm as Laura tentatively starts to open up to him and take risks. Julia Roberts as Laura, shakes with her hands on the gun as if it were really her that the dark man who was her husband was stalking. Martin is sinister and foreboding.

The story had to move along to tell the truth about battered women and how they struggle to be set free from their abusive men, but the story line of Laura’s mother’s blindness is too convenient and contrived. Even so, we cheer for Laura and Ben at the end, just as we cowered in our seats knowing Martin was getting closer to finding Laura again.

Sleeping with the Enemy is a thriller with a message. Don’t miss it.